THE QUESTION OF THE MUSIC AND THE FIGHT FOR THE STRENGTH .
1.LA QUESTION OF MUSIC KONGOLAISE
SHAME OF KONGO
Here is a topic that caused so much ink and saliva and in Diaspora Kongolaise lately. Many of Kongola and resistant fighters felt that the current music Kongolaise meaningless, has become in most cases an corrupter of morals and conscience Kongolaise. In promoting the anti-values such as debauchery, sexual aversion, drunkenness, corruption and all sorts of distractions, she brutalized the population has a very high level. Whether Christian or worldly effects on the general behavior of Kongola are like a drug which gradually corrodes deeply. That is why many people consider a fair value of that music Kongola must be fought relentlessly. So the music must be severely kongolaise punished and ostracized. This gives time to Kongola in the diaspora to focus better to solve the misfortune of their country ie occupation, usurpation of power by anyone Kongo Hyppolite Kanambe alias Joseph Kabila with his gang of collaborators. Usurpation, which gave birth to the litany of woes to his credit namely, war, political murders, genocide of the population kongolaise, the plundering of the east and the crisis in almost all walks of life . Music and his associate Kongolaise current number of beer and breweries all located in Kongo have this effect of a poison deadly to the liberation struggle and resistance kongolaise. Music Kongolaise now running the brewery sponsoring the importance of giving up choice for the promotion of various ranges of beers and their sponsors namely the primus, the skol etc. This is seen in almost every album, a song or two should be a book praising and advertising of beer. The diaspora of Kongola holding that the musicians are playing a very negative role in supporting the government in power and culture of anti-values should not go unpunished as stated above. That is why for some time in England for example, a general embargo was declared 'cons Kongolaise what music is worldly or Christian music. No music concert was organized Kongolaise or permitted to be played by musicians from the Kongo Kongola for almost a few years.
MANZANGI SAFRO: AMBENZO
HUMAN AND AFRICAN MUSIC .
Music is a non-detachable elements has the soul of the African man. For the African in its pure essence, there is this understanding of creation (the universe) as a music and dance in a relationship love celebrating what we call life. In all that Africa has in the past that is his legacy to life, there was always a great place for music and dance. In all life events someone they are: birth, initiation ceremonies, marriage and death through the work fields, as in fishing and mining, the music is playing a very big role. Moreover, for this reason that the birth of certain musical styles that the black man has donated humanity have been invented by slaves on plantations such as: coats, soil music, jazz etc.. .. Understanding of the cosmic rhythm and the need to adapt might be the cause of the love relationship between African music and dance! The African speaks sweetly as if spirit to sing that can explain most beautiful voices in the music world are of African origin? The African works sweetly as if in answer a song that reflects her soul resonance. Nothing surprising that the pace of African dance in his blood and that the best dancers of this world like Michael Jackson and others are of African origin? In any case, is inextricably linked to the African music and dance. Music is an integral part of African life. It commemorates all the elements of life and birth, death, already above. to the simple fact of life as eating, walking or sex, music and dance are to his heart. Yet his music describes his company as an artist would a painting. The music of the African vocation not to be meaningless. you have only listened to the songs Luambo Makadi, Keita Salih, Huge Masikela Bob Marley to convince you. This music educates people and entertaining at the same time. Africa has produced a very large number of musical geniuses in the interior as in the diaspora. Kunti Fela, Miriam Makeba Lumbo Makiadi, Wendo kolosoi, Tabu Ley, Shungu Wemba dio ... etc. the list is very long and the Diaspora Bob Marley, Michael Jackson, R Kelly, The Kassav ect .. African music is a rich heritage that we can not be very proud and fiercely protects. Our culture is inscribed came hard, listen to all different music traditional to convince you! Luba music, Dream, Mpenda, Mongo, Zulu, Ghana and with exceptional rhythm and melody are really proud of misconduct charges.
KOLOSOI Wendo. LUAMBO Makiadi. BOB MARLEY.
EURREUR IN THE COLLECTION OF THE VETERANS OF THE Diapora MUSICIANS AND MUSIC KONGOLAISE.
One thing is true that the Kongola being an African, he can regardless of its condition and the current painful circumstances in which it is to escape the place of music and dance in his lifestyle daily. Because it says: "chasing the natural change their spots." It is also true that the artist Kongola in general has disappointed all the hopes of Kongola to power by allying Spoofing Kanambe, promoting anti-values in place of morality and encouraging patriotic struggle against the occupation, looting and rape in Kongo, so it must be severely vomit in the diaspora. This is also a strategy that will allow him to regroup and resume its proper role in society Kongolaise.
On the other hand, there is a new class of musicians who work hard Kongola to awaken the conscience and morals of the people Kongola in this very difficult time. This should deserve a very strong support from the diaspora Kongolaise whole! Artists like KONGO BANGA, MKUMU KONGO DO, BOKESHU FIRST PEPE Kibale AZAMBI NABI, DEMS Ndume to name just a few mons. These young artists Kongola using their modest means are all aboard for an awareness raising work is done. By pure logic, they should be supported and promoted so that their message can reach the edges of the diaspora. The radios of the resistance on the internet are a very commendable effort in this direction. This encourgera also many artists who are still exit at it in this boat to boat combat the release of Kongo has to realize that this is not just being at the dinner table with the devil that can provide them Survival! This approach may even be a very good strategy of fighting in the diaspora. We believe that sinserement fighters who have trouble making calls for funds for example, can work with these artists to organize deductions that music. And rate the recipe will be shelved as a contribution to the smooth running of the resistance. Because the Kongola like his music a lot of fonts can be so generate!
serious dialogue should be promoted between combatants and musicians Kongola of resistance that are themselves fighting and doing a commendable job in the fight. Indeed, in this struggle, we need everybody and everyone can play their role conscientiously.
KONGO BANGA
BOKESHU FIRST
DEMS Ndume
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